Claim your ink

 I have probably discussed this topic in several different ways, but it bears repeating. I also recently did a tattoo consultation so it is fresh in my mind?

 Don’t know what a tattoo consultation is? You need a better tattooer.

 So, you are thinking about getting a tattoo, but you are not certain what you want. You have a concept, but that is about it. How does one get from a fuzzy idea in their head to the actual tattoo? Talking to a tattooer is a great start, but there is a lot you can do before you have that conversation.

 1. Determine what the tattoo means to you. If you want a military tattoo to honor a family member, you may want other items as filler related to that person. If a military tattoo is meant to be a reflection of your own service, then filler could be other aspects of that service. The meaning of the tattoo could take your concept in different directions.

 2. Once you have an idea, start looking for references. Collect images of things related to your concept, even if they are just things that could be part of your tattoo.

 3. Add to these concept references tattoo references; images of tattoos that you like. This serves two purposes; it will help to define the style of tattoo you want, and it will also indicate the limitations of tattoo design relative to your other reference material.

 What I mean by that is you will develop an understanding that the three-dimensional CGI image you have as a reference will look different when rendered as a tattoo. It may sound obvious, but people often seem to think anything can be rendered as a tattoo in the skin.

4. Identify your tattoo style. As you are collecting references of tattoos you like (related to your concept or not), a stylistic theme may emerge. You need not know that you are looking at American Traditional designs, but recognizing that you like this type of tattoo more than another, and being able to provide your tattooer examples, will help bring your design to life.

5. Determine where on your body you will get your tattoo. Location will impact both the size of the tattoo and how the design is organized. A design created for a forearm is often not the same as one created for a shoulder.

6. Be realistic about the limitations of the tattoo design and the style you want. More often than not, images rendered as a tattoo are simplified. Location on your body and size limitations also impact the amount of detail that can be reasonably included.

7. Be aware that you concept may be interpreted in multiple ways, and be prepared to allow the tattooer some creative input on the design. Your tattooer will have more experience with design as it is applied to tattoos; how certain elements should be arranged given the location of the tattoo and the style, what colors will work best and in what combinations, and so on.

8. The flipside of the same coin is being certain that the design is what you really want. If you feel pressured to depart from your ideas in a way that you do not like, or that the rendering is not living-up to your expectations, then don’t get the tattoo. The design should be something you are excited about getting, and your tattoo should be flexible enough to get it to where you want (within reason).

9. Decide if this will be your only tattoo for a while, or if it will be the first of many in the same location on your body. If your tattoo plan includes additional tattoo building on or being near the current tattoo, those future plans need to be taken into account in the design.

10. Be responsible for your tattoo and take your time. Do your research, look at portfolios, and talk to a number of tattooers. Ideally, you want an experienced tattooer who works in your chosen style and who is excited about the project. A tattoo is an investment, so take you time with it.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him an email at https://www.facebook.com/tattoonerdz/

Tattoos and Pain: Do They Hurt, Where Do They Hurt the Most/Least?

 If you are a tattooer, or just have tattoos, you will be inevitably asked, "Does it hurt?".  While this may seem like a ridiculous question (of course it hurts!), it should not be surprising that it would be asked. According to a survey taken in 2012, only 21% of the people in the United States have a tattoo. That means that if you have a tattoo, you are likely to encounter four people who have no clue what the experience of getting a tattoo is like. Given the taboos still associated with tattoos, the rise in cultural awareness and interest in tattoos, and the conflict that arises in a person's mind when they consider that someone willingly endured pain for the sake of adornment, those four people should be naturally curious.

 The initial question, "Does it hurt?", is typically just an ice-breaker. The real question on the non-tattooed person's mind is, "What does getting a tattoo feel like?". The problem is that the experience of getting a tattoo is unique. While the pain can be compared to other common experiences in order to provide some context, ultimately any description falls short of the actual feeling of getting a tattoo.

 In medical terms, a tattoo is a wound, more specifically an abrasion. Though nothing is scraped away by the tattooing process, the damage is superficial, going no deeper than the epidermis. Many people have experienced skin abrasion. The difference between that an a tattoo is that normally the abrasion happens suddenly, while a tattoo is a drawn-out process. The immediate pain of a tattoo is less significant than most people imagine, but the prolonged sensation of that pain is often not accounted for. 

 The tattoo process involves a configuration of needles (typically) repeatedly perforating the epidermis of the skin. Another experience common to most every is being stuck with a pin or needle. That sensation is often far worse and more damaging than the immediate pain caused by a tattoo needle; more often than not such injuries are more grievous than what a tattoo needle causes. Being stuck by a pin or needle may draw blood, while a tattoo needle should never go deep enough for that to happen. Again, the difference is that the tattoo process is repeated at over 100 cycles per second, while the more common experience is (hopefully) only one perforation.

 It is not uncommon for a person getting their first tattoo to report that the experience was not nearly as bad as they imagined. This is also reflected in the fact that those who get a tattoo often will get more than one. The sensation is no longer a mystery or source of trepidation. Yes, you may need to occasionally grit your teeth or clench your fist while getting a tattoo, but it is likely that you have experienced far worse.

 The next question about tattoos and pain will inevitably be about what location hurts the most or least. It should be kept in mind that every person experiences and processes pain in a different manner. Some have a greater pain tolerance than others, while others are more or less sensitive in some areas. Some even find getting a tattoo pleasurable. One of my earliest tattoos was in a spot within the client's pantie-line, and at one point she interrupted the procedure because she was having an orgasm. This was most likely due to the vibration of the machine near a sensitive area, but it demonstrates that the pain from the tattoo was not so great as to overcome other biological responses to stimulation. 

 Given that we each have different experiences with pain, any guide to what will hurt more or less should be considered anecdotal. There are, however, some commonalities to consider.

 How much tissue is between the skin and the bone?

 Tattoos that are in skin that has less tissue, fat or muscle, between the skin and the bone tend to be more painful. This is most likely because there is less cushion to resist the impact of the needle. Hands, feet, knees, collar bones, and the sternum are all typically more sensitive areas. The spine is often doubly so, due to the increase in nerve fibers and the bone being closer to the skin. The head, with very little tissue between the skin and skull and increased sensitivity, may be the most extreme example of this condition.

 How ticklish is the spot?

 The more responsive an area is to stimulation, the more painful tattooing that area may be. Even if you are not generally ticklish, areas of the body that are less exposed to stimulus tend to be more sensitive, and thus more pained when tattooed. The inside of the arm is more painful (typically) than the outside. The inner thighs are painful areas, as are the sides of the torso (or rib-cage... bones!). Add to these areas any inner bend on the body; back of the knee, crook of the elbow, the armpit, bottoms of feet, palms of hands, and especially the neck/throat.

 What is the condition of the skin?

 Skin that has been damaged in the past is often more sensitive than skin that has not been damaged, though this is not always the case. Scar tissue can either be more sensitive or less sensitive (or have variations of both throughout to scar). Mild but chronic sun-damaged skin can also be more or less sensitive. Surprising to many people is the discovery that previously tattooed areas tend to be more sensitive. While this is expected with new tattoos being touched-up, people are often surprised to feel more pain touching-up or covering tattoos they have had for months, sometimes even years. A tattoo, even when fully healed, is still a wounded area of the skin, and thus more sensitive.

 Line work, shading, or color?

 Another concern is the type of work being done, or the phase of the tattoo. Most tattoos begin with line work, tattooing the lines that define the design. A lining needle is a set of needles configured into a point. Most people are more sensitive to this configuration because the needles are perforating the skin in a more concentrated manner. Shading and coloring needles are configured more like a painter's brush, with a wider spread than a lining needle with the same number of needle-points. Shading is often considered less painful both because of the needle configuration and the manner with which a shading needle is used (the stroke tends to be more brush-like and intentionally lighter). Coloring needles, though like the shading needles in configuration, often require more concentration of perforation to achieve a solid color, so is often considered somewhere between shading and lining. However, some report that the shading or coloring is more painful. The reason for this may be that the area being tattooed is more sensitive after the line-work is completed.

 Are you a man, or a woman?

 While this is something that you no doubt have little control over, which gender takes a tattoo better is often something people are curious about. Women take a tattoo better. I believe that this is the result of biological necessity. Men are very capable when it comes to sudden, extreme pain; being punched, cut, etc. Women, on the contrary, are biologically geared toward enduring pain over long periods of time. The tattoo procedure does not cause sudden, extreme pain, but is instead a prolonged irritation, something women are simply better able to handle.

 With these conditions understood, the least painful areas to tattoo are those with large tissues masses under the skin, on the outer edges of the body, with skin that is in prime condition. The skin over the deltoid muscle (shoulder), forearms, and thighs tend to be prime tattoo locations. Interestingly, the least sensitive area may be the inside of the lower lip. This is unexpected until you consider the amount of damage the mouth endures; accidental bites, burns, and contact with certain foods. A tattoo needle will cause relatively minimal discomfort compared to what is typically experienced in the mouth.

 The pain of getting a tattoo, while not something that can always be shrugged off, is rarely so extreme that it cannot be endured. Prior to getting a tattoo, get a good night's sleep, eat a decent meal a few hours prior to your tattoo appointment, be well hydrated, and be excited about the prospect of a new tattoo! The experience is unique, but shortly after the tattoo starts, you will realize that it is nowhere near as bad as you may have imagined.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him an email at https://www.facebook.com/tattoonerdz/

Who's Confident?

 This will be a bit of a rant, so let me set this up properly.

 I get a text message from a friend who asked, "If you were getting a tattoo tonight, what tattoo shop would you go to?" For me, that is both a simple and difficult question. I have a tattooer who is AMAZING but who may not have been available for a walk-in tattoo. His shop was the first on my list in my response. I have the privilege of knowing a lot of great tattooers in Austin, guys and gals who I would happily get work from at any time. From that set, I listed four other tattoo studios that I consider highly reputable and who host consistently great tattooers. My friend hit me up simply because she was confident in my opinion and knowledge about the local tattoo offerings.

 A little bit later, I get another question. "Do you ever setup without gloves?"

 No.

 Hell no.

 Being the inquisitive type, I asked why. What was happening was her boyfriend was in the mood for the sweet, sweet feel of a tattoo needle, and wanted to get some ink. Not being familiar with what might be available, especially since I was not (available), they asked my opinion. Trusting me (and that is important), they went to one of the shops I recommended.

 Let me reiterate: I recommended the shop they went to. They went to this shop on my recommendation.

 The tattooer at this particular shop was not the tattooer I would go to at this shop. At the time, that was simply because I did not know the guy like I know one of his co-workers. He does, however, have a favorable reputation locally. He happened to be available the night my friends went to the shop I recommended. When a tattoo design was selected and a price agreed upon, this tattooer went about setting up his station.

 He did so without gloves.

 My friend, herself a tattoo collector, questioned this. She recognized that she was seeing something that in her years of getting ink she had not seen before. Her dude asked the tattooer about the lack of gloves. The tattooer's response?

 "I am confident in my method."

 I am not going to name names, or put anyone on blast. The shop this guy works at is a great shop, and should not be besmirched by this guys lackadaisical attitude and ego. I DID, however, recommend to my friend that she contact the owner. When she asked if they should stay or go (they had not paid yet), my advice was to walk.

 My friends on Facebook agreed (they must read my blog).

People must be reading my blog...

 I am not even going to rail on the BASIC NECESSITY of wearing gloves when you setup, about how your station should be as close to a small surgical bay as possible, and how gloved hands should be the only things that make contact with the tools used to tattoo anytime. No, that is not what this rant is about.

 He said, "I am confident in my method."

 Is he really the one who should be confident in his method? Friends, I do not care how cock-sure your tattooer is, YOU need to be confident about what they are doing. If you feel something is amiss, a professional tattooer will do what is necessary to address your concerns. It is your tattoo. If something bothers you, your worry should not be casually dismissed.

 The proper tattooer response to, "Hey, aren't you supposed to wear gloves when you setup?", is to stop what you are doing, agree with your client, apologize for letting this simple step slip your mind, tear down your station, clean everything your touched, and setup with clean gloves on. There is no other excusable response.

 Gang, I don't care if he had a bucket of hand-sanitizer at his station that he was dipping into every few minutes. He is leaving bits of himself on everything he touches, bits of himself he would then be sharing WITH HIS CLIENT. We make mistakes. The professional thing to do is own it and correct it.

 Blowing-off your client's concern is a dirt-bag move. It suggests a lack of character and confidence; trying to ignore your mistake instead of admitting it. The sad thing is that this guy is a good tattooer, but moves like the ones he is making kill careers.

 Added to this is the fact that I recommended his shop. Maybe not him, but in the minds' of his clients and my friends there is no distinction. If asked again about where to get a tattoo, or getting a tattoo at this particular shop, I would still recommend it.

 But I would add a caution about that particular tattooer. For the sake of my reputation and their safety, I would tell whoever was asking to not get work from that guy.

 To my friends who trusted in my recommendation and had this poor experience, I am sorry. I know this is not my fault, but it is the kind of thing that brings all tattooers down.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him an email at https://www.facebook.com/tattoonerdz/

"Sailor Jerry's Tattoo Stencils" Books I and II

  Before you buy "Sailor Jerry's Tattoo Stencils" by Kate Hellenbrand, you need to understand the title.  I recommend that any aspiring tattooer get a copy of these books, but you need to know what you are getting. This is not, technically, a collection of Norman "Sailor Jerry" Collin's flash.  Rather, these are actual transfers from those flash designs, the first stage of the actual tattoos.  What you will get are raw, unadorned examples of the very foundation of a tattoo.  This collection gathered by Kate "Shanghai Kate" Hellenbrand, demonstrates the root of the "American Traditional" tattoo design, the style that many tattoo purists describe as the defining style of a "good" tattoo.  

 The American Traditional tattoo style developed not from an aesthetic choice, but rather the limitations of the tools used to take a design from paper to the skin.  Before the advent of the thermograph transfer, tattooers would cut their designs into a thin, plastic sheet.  Grooves cut into the acetate would be filled by rubbing graphite into them.  The skin was prepared with a thin coat of petroleum jelly.  The acetate stencil would be laid onto the skin, transferring the graphite from the stencil to the jelly.  This provided a fragile pattern for the tattooer to follow with his needle.

 The nature of this process limited the complexity and detail of the designs.  If a design was too intricate, it would be difficult (if not impossible) and extremely time-consuming to cut into acetate.  Thus, American Traditional designs are defined by simple, bold lines, with often no more than two to three line-widths.  The transfer process and materials also limited selection.  Tattoo designs tended to be limited to what was popular to those getting tattoos in those early years; Naval or other Military images, primitive pin-up girls, and well-known cartoon characters.  The same acetate stencil would be the basis for multiple tattoos, with variation introduced during the tattoo process.

 Color in these tattoos, usually red, green, blue, yellow, and black, were also limited by the technology of the time.  Tattooers often made their own ink, and there were limits to what could be successfully and economically produced.  Again, the American Traditional style was a result not of aesthetics, but of the practical limitations of the technology of the time.  These limitations came to set the expectations of what a tattoo should look like.  Today, technological advancements allows for a variety of styles to be replicated in the skin, but "Tattoo Art" has become defined in the social consciousness as consisting of strong lines, a bold but limited color pallet, and traditional subject matter.  Put simply, this style is recognized as a tattoo, regardless if it is in skin or on paper.

 These collections offer insight into the foundations of an art form.  With an understanding of the technical limitations, they also highlight the innovative and creative talent of Sailor Jerry.  While these books will have very little value to most tattoo clients seeking a design, they represent an excellent resource for the tattooer who wishes to create tattoo designs rooted in traditional methods and recognized as tattoo art.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him a message at https://www.facebook.com/tattoonerdz/

Size Matters

 

A tattoo that fits the calf.

"But, Tattoo Nerd, it's not the size of the ship. It's the motion of the ocean, right?"

 That is not what I am writing about, my little friend. No, what I am writing about is the size of your tattoo. One major cause of 'tattoo regret' is getting a tattoo that is too small. Getting a tattoo that is too small is a common mistake when people first start getting tattoos.  Whether it is a matter of wanting something small to get past the "unknown" factor, or a matter of expense, first-timers tend to lean toward tiny tattoos.  For many tattooers, the little tattoo that someone gets because they felt the urge to walk-in and "just get a tattoo" is their bread-and-butter.  However, when given the opportunity, most tattooers would prefer you come in and get a tattoo designed to fit the place on your body you want.

 You may be thinking that a tattooer wanting to do a larger tattoo is all about the money.  While it is true that a larger tattoo will typically cost more, that is not your tattooer's primary motivation.  Your tattooer wants to do a tattoo that looks good.  Especially if it is your first tattoo, your tattooer knows you are going to tell your friends and show-off the tattoo.  They want their work to be well represented, and they want you to come back for more tattoos.  Tiny tattoos have their place, especially for women who want that accent tattoo behind their ear or on their hip.  The size of the tattoo should be determined by the location on the body.  A tiny tattoo may be expertly executed, but if it is floating in a large, empty space, it simply does not look as good.  As a customer, you may think initially that a small tattoo is a good way to start or the best for your budget, but odds are that you will regret your choice and blame your tattooer for allowing you to make it.

A tattoo designed to fit the shoulder and arm.

 So, what then is the "right" size for a tattoo?  When determining the size of the tattoo, the tattooer will take in to consideration the natural frame formed by the shape of the body-part being tattooed.  This frame most often matches the muscle-mass beneath the skin.  The frame of a shoulder tattoo is defined by the shape of your Deltoid muscle, and may extend down your arm to form a "sleeve".  The Gastrocnemius and Soleus muscles form the frame of the calf, and may extend down your leg and wrap around to form a "sock".  The Pectoral muscle forms the frame for a chest tattoo.  A tattoo that sits atop of any muscle mass that does not make full use of the shape of the mass (both positive and negative space) will appear to float haphazardly in that space.  Taking into account the size and shape of the muscle mass demonstrates an intentional placement and is more visually pleasing.  

 When getting a tattoo, it is easy to forget about the location when thinking about things like the design and the meaning of the symbol.  A reputable tattooer will discuss with you the importance of size relative to the place you want to get the tattoo, and it is advice you should take into consideration.  Even if it means that you may spend a little more money for a larger tattoo, your tattoo is an investment in you, one which will hopefully be with you for life.  You will want to see your tattoo and know you made a good choice, instead of looking at an ill-fitting tattoo and wondering what you could have done differently.

Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him a message at https://www.facebook.com/tattoonerdz/

Tattoo Ink Expiration Dates

 Tattoo Nerd,

 Does tattoo ink really expire?

 -Mike

 The answer is both yes and no, but more yes than no.

 Ink is simply a pigment (heavy metals, oxidized metals, plastics, or other materials), mixed with a carrier fluid (usually an alcohol like ethyl alcohol or glycerin and/or distilled water).  The majority of tattooers use pre-dispersed ink (pigment that has been mixed with a carrier, or is wet) sold by a trusted manufacturer.  A few tattooers mix their ink themselves.  Materials are selected based on what will produce the brightest possible and longest lasting color, what is least likely to induce a severe reaction in the body (all materials produce a reaction, resulting in the permanence of the tattoo), what will most easily and evenly go into the skin, and what will be cost-effective to produce.

Expiration Date on Eternal Ink

 Technically, inorganic pigment materials have no expiration.  The carrier fluid will eventually evaporate in most ink-bottles.  The plastic of the bottle and seals will break down enough in time to allow the evaporated fluid to escape.  In theory, adding more carrier fluid to a bottle of ink that has dried out would result in usable dispersed ink.

 But, that is not the way to go.

 Tattoo inks are regulated by the FDA, but it is a regulation that is rarely exercised.  This is because the Tattoo Industry has become very good at self-regulation.  The "shelf-life" of tattoo ink is often around two years, with most tattoo studios using up more common colors well before the expiration date.  The best-practice in reputable shops is to throw expired ink away.  

 The idea of recharging a dried-out bottle of ink may be one considered for monetary reasons.  After all, tattoo ink is one of the most expensive fluids on the market.  On average, a one ounce bottle of premium tattoo ink costs between $8-$10.  For the sake of comparison, an ounce of petroleum for your car is about $.02.  At the time of this writing, an ounce of silver (the precious metal, not silver ink) is about $15.  Again, despite the cost of ink, "recharging" is not the way to go.  Studios that do mix their own ink do not do so for monetary reasons, but rather to have greater control of the color selection and quality (disbursement, longevity) of their ink.

 While the materials in tattoo ink do not technically expire, they can become contaminated.  Assuming that the ink was bottled and sealed in a sterile environment (which may not be the case with some ink manufacturers), ink is exposed to contaminants as soon as the seal is broken.  While the rate of contamination is slight with a bottle that remains capped when not in use, the longer the bottle sits the more contaminants it potentially contains.  When fluid is lost from the bottle, by pouring ink from it for use or due to evaporation, air from the environment replaces the volume of fluid lost.  In the average tattoo studio, that is air which has been in the lungs of several people and has been contaminated by blood-plasma and other organic particles that result from the tattoo process.  

Expiration Date on Intenze

 The expiration date, while arbitrarily determined based on the shelf life of the container and in order to prevent external regulation as well as meet local health-codes governing the tattoo industry, serves as an excellent guide to help minimize the possibility of contamination placing a client at risk. Though the risk is extremely slight, anything we can do to reduce the risk is better for our clients and the industry as a whole. You are best served purchasing ink from manufacturers that use expiration dates, by checking your bottles on a monthly basis, and re-ordering inks that are about the expire in what is hopefully the rare time when an exotic ink nears the end of its shelf life. 

 As an addendum, the best way to know what is a reputable source of ink is to take a look at a few tattoo studios in your area.  Tattoo studios, to stay competitive, quickly move to new products or techniques if it appears that those products give another studio or artist an advantage.  If you don't see your ink (or the ink of your tattooer) being commonly used in other studios, it is best to ask why.  Cheap inks cause more problems than they solve.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him an email at https://www.facebook.com/tattoonerdz/

Friday the 13th Tattoo Specials; What You Need to Know

 Bargain hunters, rejoice! Every year it seems that ever-more tattoo studios are running specials on Friday the 13th. You can get a tattoo for just $13! But, before you start planning your tattoo-sleeve design for the next Friday the 13th, there are some things you should know.

 Tattoo studios do this to increase awareness of their businesses.

 Think of it as a wine-tasting at a winery, or samples being offered at a bakery. You are getting a little taste of what the tattoo studio has to offer, a sample. The tattoos being offered are small and limited to a select set of designs in order to make the process efficient. The tattooers want to take this time to show-off the studio, let people check out the atmosphere of the shop and their techniques, and introduce themselves to potential new clients. This is a great time for tattoo collectors to check out portfolios, visit shops, and talk to artists about future projects. Plus you get a nice new tattoo.

 What you can get tattooed will be extremely limited.

 As mentioned above, this is meant to be a chance to sample the work of the studio. Friday the 13th specials are generally $13 for the tattoo and a $7 set-up fee (things go faster if they don't have to make change, thus the total is an even $20). The tattoo you can get will come from a select set of tattoo flash-sheets, often a jumble of small designs. There will probably be a limit to the number of colors you are allowed to have in addition to black (often just two), and you will probably only be allowed to get the tattoo on certain parts of the body (generally no fingers, faces, necks, feet, or genitals). The size of the tattoo will be limited to the size of the design on the sheet, and the only modifications that will typically be allowed are those that take away from the design (such as dropping the number 13 from a design). The point is to make the process efficient; you pick a design and it gets tattooed.

 Pro-tip: the smaller the designs offered, the better the shop (typically). This is just my observation, but the better studios that do a Friday the 13th specials tend to offer a sheet or two full (and I mean FULL) of small tattoo designs. This is a decision driven by experience, more popular shops have heavier traffic on days when they run specials, so smaller designs make the process faster. They are popular shops BECAUSE the quality of work and the atmosphere of the shop are better than their competitors. Smaller designs equating to a better shop may not always be the case, but it is a good indicator.

 Do your research.

 Getting a tattoo is the ultimate way to judge a shop, but it helps to plan ahead. Visit the shop you want to check-out and ask if they are having a special (ideally, do this the beginning of the month a Friday the 13th falls in, not six months out). Ask what kind of traffic they expect to have, and if they have a flash-sheet prepared for that day. Pick your designs in advance, if you can, and if you plan to visit multiple shops, come-up with a game plan taking into account how busy they may be.

 Arrive early.

 There is an old saying, 'the early bird gets the tattoo'. Okay, maybe it doesn't go quite like that, but it is a good idea to arrive early. For example, at Little Pricks Tattoo in Austin, Texas, they started the day at noon, and by 6pm had to close their waiting list at four pages in order to get everyone who signed-in tattooed! People had to be turned away. Getting there early is a great idea.

 But, there is something to be said for not arriving too early. Another reason not to be late is fatigue. Doing numerous small tattoos can wear a tattooer down faster than one large piece. However, since tattoo (like any art) is a physical exercise, it is always better when the athlete has warmed-up a bit. While a good shop will have great artists who are consistent in their work-quality, it could be argued that the tattooer will hit their sweet-spot after the third or fourth tattoo (in this marathon-type situation).  Not a rule of any kind, but something to think about when getting in line at the door before the shop opens. Maybe let a few guys get in line ahead of you. 

 Be prepared.

Tattooer: Kyle Giffen

 You can really help your tattooer by being a little prepared. In addition to knowing what you want, know where you want to get it. If you are a hairy guy like your favorite tattoo-nerd, maybe give that area a trim. You may be there a while, so have something to do for when you have already walked around the shop a few times checking-out the art-work and looked through everyone's portfolio. Be prepared to step-out to a convenience store or restaurant for a bite to eat. If you have questions for your tattooer, have an idea what you are going to ask. If you want to talk about a future tattoo, bring your reference designs or anything that might help you explain to your tattooer what you want.

 Be courteous to your fellow collectors.

 If you are at a good studio, it is going to get crowded.  Try not to crowd the front desk or stand too long in one spot in the shop. Give other people a chance to sign-in, conduct their business, and check out the shop. If you are going to eat, step outside. It is great to be enthusiastic about being a part of the tattoo-tribe, but don't be too pushy about interjecting your ideas when you hear someone else having a conversation with your tattooer. When someone is getting a tattoo, that is their time with the tattooer, so keep your chit-chat to a minimum and save your questions for when you are in the chair if you can.

 Be respectful to your studio.

 You know why it is called a special?  Because there are special conditions, and it doesn't happen everyday. $13 tattoo day is not the time to negotiate price on your selected tattoo. Trying to get a price better than $13 is just not cool. Be flexible about your spot in line, if you are not around when your name gets called they are going to go to the next person, but you will be moved to the top as soon as you get back. Let your tattooer or the shop-help know if you are stepping-out for a smoke, adjourning to the restroom, or going down the street for a bite to eat, especially if you are getting close to your turn. Ask about taking pictures, especially while the tattooers are working on someone else. Understand that you are encouraged to wander the shop, but stay out of work-spaces,

 And, if the studio you are at is fully booked, don't ask if they know if another shop is running the same special! That is just poor tattoo etiquette!

 Also, a huge THANK YOU to Little Pricks Tattoo for letting me visit, to Kyle Giffen for my awesome new tattoos, and for just being a great tattoo studio. Check them out at LittlePricksTattoo.com!

 The next five Friday the 13ths are...

 May 13th, 2016

 January 13th, 2017

 October 13th, 2017

 April 13th, 2018

 July 13th, 2018

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him a message at https://www.facebook.com/tattoonerdz/

Rebirth of the Green Monster, Birth Defect?

 I love Eikon Device's Green Monster coil tattoo machines. They are great machines at a relatively low price-point (less than $200). They include the innovation Tru-Spring armature bar and springs and separate the coil from the capacitor for simpler maintenance.  Their performance is consistently excellent.  

 To be fair, these were also the machines being talked about as THE standard for production machines when I was learning to tattoo.  Maybe Eikon simply did an excellent job in marketing the machines, or maybe they really were the first to do something radical like take specific measurements of machine speed, performance, and the way that the various components of the device worked together.  The Green Monster did seem to have a major impact on the industry, creating a need for power-supplies that offered a measurement of your machine's output instead of just a 1-10 power-setting.  It also seemed to create an awareness among tattooers regarding what precisely their machines where doing and why. There are better coil machines on the market today, but I would argue that the Green Monster defined the standards upon which many of those machines are based.

The Original

 Naturally, when I received an email from Eikon Device offering an updated version of the classic Green Monster, I was excited. The big change is the coil-position on the frame; they are moved forward on the frame-base to improve the performance of the machine. Everything else about the machine is fairly standard.  They do offer the additional sales pitch about every machine being "hand tuned by Mack Bregg".  That was the first red-flag in my mind, albeit a minor one.  Who is Mack Bregg, and how does he know how I like my machine to perform?  What tattooer in his or her right mind starts tattooing with a machine straight out of the box without checking it and making adjustments?  Are we also to expect that whatever Mack did with the timing-screw actually held while the machine was being jostled through the shipping process? 

 This, however, is the real issue for me.

Yeah, like this one.

 What is that?  It looks like a rubber medallion set in the machine frame. Maybe it is a medal stamp, but whatever. Look at the space between the edge of the medallion and the frame itself.  Now, imagine what can get in there.  It is a bacteria trap!  How are you supposed to clean that? While it is not a huge design flaw in regards to performance, it is major step in the wrong direction when it comes to ease of maintenance with the machine. The original Green Monster had no adornments; simplicity and efficiency made the machine what it is.  I want this machine, I really do, but Eikon may as well have just welded one of those gaudy belt-buckle face-plates to the uprights on the frame.  That medallion makes just about as much sense.   

 In conclusion, IF I do actually get one of these machines (and it is a big if), I know I will want to see if I can pop that thing out of the frame.  I know how important branding is, and getting away from the green paint-job is a plus for myself and other fans of the Green Monster, but, really?  It is a near-miss, Eikon Device, and you lost points because you went for a little flourish on the end.  

Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him a message at https://www.facebook.com/tattoonerdz/

Top Ten Tattoo Healing Concerns (In No Particular Order)

 Since starting my blog on tattooing, I have gotten asked a lot of questions from people who have recently been tattooed or are planning to get a tattoo about the healing process. It is awesome that so many people are seeking my opinion about their tattoos, and I am always happy to offer my advice. Often, the questions asked are about common concerns. Here are the ten most common questions I have been asked, in no particular order.

-Can I exercise/participate in sports while my tattoo is healing?

 I'm getting a tattoo this weekend, and the next weekend I will be participating in a tennis tournament.  Should I wait to get my tattoo until after the tournament, and are there any risks involved with getting a tattoo and working out?

 Generally, there are no real concerns with exercise effecting your tattoo.  The biggest concern I would have is the tenderness of the tattoo effecting your performance.  You would want to lightly moisturize the tattoo before and after the event, to prevent any possible damage from the skin stretching a "dry" tattoo.  You also want to make certain you can clean the tattoo after the event (assuming that you will be sweating more than normal), and if the tattoo is normally under your clothes you will want to put on a clean outfit.  

Not for at least two weeks.

-Can I use a tanning-bed?

 I am really excited about showing-off my summer-bod.  I have lost a LOT of weight, have been going to a tanning salon, and now I want to get a cute little tattoo.  I know I have to keep the tattoo out of sunlight as much as possible.  Do tanning beds effect tattoos?

 The guidelines for keeping your tattoo out of the sun as much as possible are the same for tanning beds.  You would probably notice that the light from the bed would irritate the exposed tattoo. Tanning can also fade your tattoo, and the darker your skin gets the less bright your tattoo will be.  The tattoo is a few layers under the outer-most layer of skin, so it will be like seeing your tattoo through a tinted window. You will want to hold off your visits to the tanning bed for at least two weeks.

-Are raised areas of skin normal in the tattoo?

 It has been about three weeks, and my tattoo seems to be healed (no skin peeling or scabs).  I noticed that some of the lines feel raised.  Will this go away in time and is that normal?

 Your skin is one huge organ with lots of different areas and types that react differently to being tattooed.  The thickness of your skin is not consistent throughout.  The raised areas are your skin's response to being perforated by a needle repeatedly.  Initially, you may have noticed that the entire tattoo was slightly raised, but most of it went down to normal. Some areas, however, take longer or will remain raised. Your skin is, in essence, scarred. While more experienced tattooers are better able to avoid damaging the skin in this manner, it can sometimes happen even when every precaution is taken. Once the tattoo is healed, you may want to try a scar reducing agent, like aloe vera sap. 

After a few days, this may be a problem.

-Is it normal for my tattoo to be red and hot?

 I noticed a few days after getting my tattoo that there is some redness around the area and the tattoo feels warmer than the rest of my skin. Is this normal?

 Redness and a fevered feeling is normal with a new tattoo for the first few days. Your tattoo is basically an abrasion, and the redness and heat is typical of your body trying to heal the wound. If the redness radiates from the tattoo, it has the appearance of a rash, has bumps or weeps anything more than a thin, clear fluid, talk to your tattooer and/or a doctor.

-How long does it take to heal?

 I am getting my first tattoo in a couple of weeks, and I was wondering how long it will take to heal.

 Healing times for a tattoo vary, and it can of depends on what you mean by "healed".  A tattoo can take three-to-six months to heal "completely", and even then the area is still technically contaminated with a foreign material (tattoo ink).  You body will be working to remove the ink from your skin for the rest of your life, which is one of the factors that contributes to fading.  That said, the time generally given for the skin to return to being relatively normal is two weeks.  This is an average, as the real indicators are that the tattoo no longer has any scabs and is no longer peeling.  This is when the integrity of the tattoo skin can handle sunlight and being submerged in water without any real risks.

Really not normal.

-How long before I go swimming?

 I want to get a tattoo, but I also really want to go tubing on the river in a week with my friends. How long do I need to wait after getting a tattoo before I get in water?

 The best time to get a tattoo is in the winter, and this is just one of the reasons. In the winter, there is no real urge to "hit the beach", and by the summer your tattoo will be healed and looking great. That said, you should wait until all the scabs have fallen off your tattoo and the skin is done peeling.  This generally takes about two weeks.

-When should I apply skin cream?

 My tattoo artist told me to apply a skin cream with no perfumes or dyes during the first two weeks while the tattoo is healing, after I wash it three times a day.  Sometimes it gets really dry.  Should I apply more moisturizer?

 In my opinion, yes.  The reason you moisturize after washing your tattoo is because the soap and water can dry it out.  If your tattoo becomes too dry, the scabs can crack, leading to bleeding and ink-loss.  However, you do not want to over-moisturize, either. When your skin starts to feel dry and taunt, apply a very small amount of moisturizer.

Normal scabbing.

-Is heavy scabbing on some parts of the tattoo normal?

 I noticed that some parts of my tattoo, in particular the large, black areas, are more heavily scabbed that others.  Is that normal?

 Yes, that is normal.  The more worked the skin is, the heavier the scabbing will tend to be. Black is the least forgiving when it comes to open or light spots, so tattooers tend to hit black heavier than other colors. However, heavy scabbing will probably also lead to fading in that area.  Keep it moisturized, definitely do not pick at it, and if it needs a touch-up speak to your tattooer.

-My tattoo really itches.  What should I do?

 It has been about 8 days since I got my tattoo and it has really started to itch. What causes the itching and what should I do about it?

 Your skin goes through a phased-healing process, which involves a layer of skin growing over the tattoo that will initially die and peel off.  Another layer typically grows, dies, and peels off as well.  Your body's reaction to peeling skin is to become itchy so you will scratch the old skin off and reveal the layer of new skin beneath.  DO NOT ITCH YOUR TATTOO! You can try slapping your skin AROUND that tattoo, or itching near the tattoo (tricking the brain into believing the area has been relieved).  Other than that, it is best to just tough it out.

-When should I speak to my tattooer or a doctor about problems with my tattoo?

 I don't know if I am being a baby or not, but this is my first tattoo and I have some concerns about the way it is healing.  Reading your blog has let me know that most of what I am worried about is probably normal.  I was wondering when I should be worried enough to see a doctor?

 I wouldn't want to just assume that anything medical I read about on the Internet was applicable to me.  Treat what you read as a suggestion.  If your worried about anything to do with your tattoo, start by talking to your tattooer.  They can verify if what you are seeing is worthy of concern and suggest what you can do if there is a problem, probably saving you hundreds of dollars in doctor's fees in the process.  However, if you are not confident in your tattooer's advice, see a doctor.  Better safe than sorry.

 Jason Sorrell is a writer, tattoo artist, satirist, artist, and generally nice guy living in Austin, TX.  He loves answering questions about tattoos.  Shoot him a message at https://www.facebook.com/tattoonerdz/